WHO IS BEHIND PERTIWI
Hi there!
We are Kamiliah Bahdar (Singapore) and Savitri Sastrawan (Indonesia) two curators who worked on Virtual Workings, which is an e-residency for arts curators from the ASEAN Region and Japan.
Co-developed by the Japan Foundation, Bangkok and the Asia-Europe Foundation (ASEF), this 6-week residency offers online training and development opportunity to 8 curators under the guidance of 3 dedicated mentors (more information: here or here).
​
We would like to thank our dedicated mentor, Luckana Kunavichayanont from Thailand, who works as an Arts consultant & Independent Curator and currently is the Acting Director of Bangkok Art and Culture Centre (BACC), for her guidance and knowledge sharing throughout our residency.
OUR PROCESS
PERTIWI : Resilience in the arts
Resilience is one of those words and concepts that is very hard to pin down, but also perhaps because of that, it is a term used in many contexts from ecology and economy to psychology, and a favourite between us, the name of the stimulus package in Singapore named the Resilience Budget, with its subset, the Arts and Culture Resilience Package. While the dictionary definition seems to capture something of the essence of its meaning,—the capacity to recover quickly from difficulties, and the ability of a substance or object to spring back into shape—yet it remains very open-ended. These qualities can be projected on many things.
It is just this open-endedness, and our want to find a different entrypoint, that drew us to the theme. When we first came together to craft a curatorial statement for the application, we proposed bringing together what were then our current research interests, and to look at the theme of resilience through the lens of culture and spiritualism within the context of Bali and Singapore.
​
A Common Motif
Savitri at the time was researching modern Balinese sculptor Ida Bagus Njana (1912-1985) who has had a profound impact on Balinese art history and whose influence can still be seen today. He belonged to the Brahmana caste, whose daily lives would have been filled with religious rituals, and making offerings (banten), religious statues (pratima), dance masks (tapel). Before being a sculptor, he had also been a dancer and an undagi, which is a traditional Balinese architect with knowledge of wood and stone carving. This deeply spiritual life informs much of his artistic practice, and can be seen in the recurring themes and subjects of his sculpture, particularly that of the goddess Pertiwi.
On the other hand, Kamiliah had been thinking a lot about sacred rice dishes in Malay culture, including its role in rituals and its symbolic significance. Particularly, she was circling around rice as a spiritual conduit to land, mythologies and culture that she feels removed from living in the urban environment of Singapore.
We found that the common thread in both our interests was the Goddess Pertiwi, the representation of Mother Earth, equated in Bali with the rice goddess Dewi Sri and her effigy Cili, and also the national personification of Indonesia and Malaysia. And so, we wanted through this exchange between us and our engagement with our mentor Luckana Kunavichayanont to approach the theme of resilience through the different lens of culture, spirituality and environment.
Ways to resilience
Onwards Pertiwi
This website does not only documents and archives our process, but is also a platform to engage with others. Hereby our output, the website allows us to continually expand its content as we both intend to still work further together on this project.
​
Explore the website by accessing the menu on the right!
View our glossaries and get to do the activities we provide!
Happy exploring!